Dir: Sergio Leone - HD Digital presentation - 1 hrs 36 mins - Sp/It/USA 1964This is the movie which created the revolutionary new genre of the Spaghetti Western, an Italian coproduction shot in Spain and directed with inspirational pulp passion by Sergio Leone –drawing on Kurosawa. It made a star and a legend of Clint Eastwood. He had been the impetuous young Rowdy Yates on TV’s Rawhide, an open-faced boy with a pleasant singing voice. In this movie, he suddenly, terrifyingly grew up: hat, poncho, grizzly growth of beard, short cigar, eyes perpetually screwed up, as if staring into the sun or suppressing a grimace of incredulous disgust. The Man With No Name and the brutal Dollars movies were a colossal rebuke to the blander Rawhide-style westerns that had come to dominate television.The other figure that became a legend here was composer Ennio Morricone, for his extraordinary musical score – sometimes with plaintive and slightly nasal trumpets that declaimed his robust Aranjuez-type pastiche, and sometimes the main theme with its whip-poor-will whistling cries, whip-cracks, bells and eerie percussive shouts. The blaringly dubbed dialogue from bit-part players adds to the dreamlike quality of the film.
A FISTFUL OF DOLLARS
SATURDAY, 30th MARCH - 7.30pm
2019 The FeckenOdeon Cinema Society
f9
SHOWING on
Dir: Sergio Leone - HD Digital presentation - 1 hrs 36 mins - Sp/It/USA 1964This is the movie which created the revolutionary new genre of the Spaghetti Western, an Italian coproduction shot in Spain and directed with inspirational pulp passion by Sergio Leone –drawing on Kurosawa. It made a star and a legend of Clint Eastwood. He had been the impetuous young Rowdy Yates on TV’s Rawhide, an open-faced boy with a pleasant singing voice. In this movie, he suddenly, terrifyingly grew up: hat, poncho, grizzly growth of beard, short cigar, eyes perpetually screwed up, as if staring into the sun or suppressing a grimace of incredulous disgust. The Man With No Name and the brutal Dollars movies were a colossal rebuke to the blander Rawhide-style westerns that had come to dominate television.The other figure that became a legend here was composer Ennio Morricone, for his extraordinary musical score – sometimes with plaintive and slightly nasal trumpets that declaimed his robust Aranjuez-type pastiche, and sometimes the main theme with its whip-poor-will whistling cries, whip-cracks, bells and eerie percussive shouts. The blaringly dubbed dialogue from bit-part players adds to the dreamlike quality of the film.